Green is the dominant color of Todd Haynes' revisionist melodrama. Green, the color of envy, nature, money and hope, all of which bubble...
Offering unwanted opinions on film, TV and more.
Green is the dominant color of Todd Haynes' revisionist melodrama. Green, the color of envy, nature, money and hope, all of which bubble...
The first thing that grabs your attention in Burn Notice is its disturbingly incessant glamor shots of Miami, that fetid den of gauche arch...
[Warning -- Contains spoilers] At last. After enjoying the first season and suffering through chunks of the subsequent two, I couldn't s...
[Warning – contains spoilers] Every pre-conceived notion I had of JJ Abrams' and Damon Lindelof's Lost -- that it was rambling, unf...
Waltz With Bashir is one of the most intriguing and original documentaries you could ever hope to see, made only more impressive by its avo...
Year One left such a bad taste in my mouth that when I got back to my apartment I gathered what few Ramis DVDs I had and popped them in the...
Remember that old gag in the movies where the hero dropped a huge bell on the villain and then struck it to deafen the foe inside? As a chil...
Let's go back to fall of 2007 for a moment: the new Golden Age of Television is about to end. Why? Because the WGA is set to go on strik...
[Warning - contains major spoilers] The first season of Lost exceeded my expectations, mixing suspense with character development without g...
If it achieves nothing else, The Silence , the final installment of Bergman's faith trilogy, is still impressive for making such a simpl...