Inspired by Brian Saur hosting my picks for my favorite first-time watches of 2012 over at his site , I decided to keep closer track of the...
Offering unwanted opinions on film, TV and more.
Inspired by Brian Saur hosting my picks for my favorite first-time watches of 2012 over at his site , I decided to keep closer track of the...
I've been waiting for a good-quality Blu-Ray of The Terminator , my favorite James Cameron film and one of my favorite genre pictures of...
I was exhilarated by John Ford's Young Mr. Lincoln when I saw it recently, finding all the things I loved about Steven Spielberg's ...
A Taken ripoff without the action? It could work, I suppose, but the replacement of Pierre Morel's demented but fluid vision of post-9/...
I love this inverse Wizard of Oz romance from the Archers, and as an introduction to the work of Michael Powell and Emeric Pressburger, it ...
Corey and I have our latest Netflix Instant picks for US and Canadian subscribers. I'm on a Johnnie To kick, so you know I gotta recomme...
Recently, I was invited by 20th Century Fox's Fan Network to participate in some social media promotion in advance of A Good Day to Die ...
Abbas Kiarostami continues to work wonders outside Iran, bringing all the masterful techniques he developed and perfected in his homeland wh...
Walter Hill's Bullet to the Head may be a middling feature, but it offers a thrilling glimpse at how a great talent can elevate even me...
When it attempts to be a thriller, Brigitte Bertele's The Fire falls flat; what's more, it seems to know this, as these attempts pr...
I have a fondness for Terry Gilliam's The Imaginarium of Doctor Parnassus and did a brief review of it at Movie Mezzanine for my weekl...
It's that of week again where Corey and I post our favorite picks for Netflix Instant. This week, I celebrate finally getting the chance...
Over at Movie Mezzanine, I wrote some thoughts about Anthony Mann's stirring 1958 masterpiece, Man of the West , starring a perfectly ca...
More belated links. At Movie Mezzanine, I compare two great Vulgar Auteurist pieces, Tony Scott's Déjà Vu and Paul W.S. Anderson's ...
Raúl Ruiz's final completed feature (another is being finished by his widow) is as cryptic as the few other Ruiz films I've seen, wi...
I wrote about the weakest (but still delightful) Neveldine/Taylor feature to date, Ghost Rider: Spirit of Vengeance for Spectrum Culture...
Since I forgot to link to last week's Netflix picks, I'll just post links for that one and the one that went up this morning. Netfli...
I have capsule reviews for each of the animated and live-action shorts nominated for this year's Oscars at Spectrum Culture. They are mo...
Man, I've got to get better about updating this place with links. My review for Paul Morrissey's excellent, transgressive Trash (my...