James Gray opens We Own the Night with a brief montage of gritty black-and-white still photographs of policemen in the late 1980s. These ph...
Offering unwanted opinions on film, TV and more.
James Gray opens We Own the Night with a brief montage of gritty black-and-white still photographs of policemen in the late 1980s. These ph...
Upon its release, I'm Not There struck me as a hollow experiment, a nifty "what-if" but nothing more. Not helping matters, ce...