James Gray opens We Own the Night with a brief montage of gritty black-and-white still photographs of policemen in the late 1980s. These ph...
Offering unwanted opinions on film, TV and more.
James Gray opens We Own the Night with a brief montage of gritty black-and-white still photographs of policemen in the late 1980s. These ph...
Crazy Heart deserves credit for nabbing Jeff Bridges the most awards buzz he's ever gotten. Few actors can hold a candle to Bridges, pa...
If The Godfather served as a haunting eulogy for the American nuclear family, its sequel charted the death of the American Dream, ironicall...
Few directors so completely match the content of an adapted work like John Hillcoat does The Road . Cormac McCarthy's post-apocalyptic n...
No director epitomized the rewards and the pitfalls of New Hollywood quite like Francis Ford Coppola . All four of the feature films he mad...
The real stars of Francis Ford Coppola's troubled epic are not Martin Sheen or Marlon Brando. They're not even Coppola or writer Joh...