James Gray opens We Own the Night with a brief montage of gritty black-and-white still photographs of policemen in the late 1980s. These ph...
Offering unwanted opinions on film, TV and more.
James Gray opens We Own the Night with a brief montage of gritty black-and-white still photographs of policemen in the late 1980s. These ph...
For Spectrum Culture's Re-Make/Re-Model series, I have tried to discuss remakes with artistic credibility in their own right, to show th...
Paul Thomas Anderson's Boogie Nights revolves around one of the most darkly comic MacGuffins in cinematic history. Like the shark in Ja...
Martin Scorsese's The Departed is a curious case: in the director's repertoire of masterpieces, classics and just plain good movies...
I’m an arrogant man, but I can admit when I’m ignorant. Can someone explain why studios believe that a PG-13 rating will automatically draw ...